Dialogues: Photographs by Hélène BinetDialogues: Photographs by Hélène Binet

29 July 2015

Dialogues: Photographs by Hélène Binet

Exhibition, Bauhaus-Archiv, Berlin, Germany, until 21 September

For over 25 years now, photographer Hélène Binet has been at work around the world, capturing the work of internationally known architects such as John Hejduk, Ludwig Leo, Le Corbusier, Peter Zumthor, and Zaha Hadid. Her predominantly black-and-white photographs are characterised by the precise effects of light and shadow within the architectural space. Binet shows structures and material, forms and geometries in such a way that something entirely independent emerges, something that goes far beyond a pure reproduction of the buildings. In the exhibition, she juxtaposes shots of different buildings by famous architects or contrasts them with landscape photographs. These dialogues emphasise what is specific to the given architecture and simultaneously open up multi-layered associative possibilities for their viewers.

Hélène Binet


Georg BaselitzGeorg Baselitz

28 July 2015

Georg Baselitz

Exhibition, White Cube, Glyndebourne, UK, until 30 August

“The treble clef, the lines of the staves, the notes and things start dancing, round and round, up and down, spaced out, back and forth, shifting towards the edges…” - Georg Baselitz, 2015. Painter, printmaker, sculptor, and draughtsman Baselitz’s distinguished career has spanned more than 50 years, during which he has created works that have consistently challenged the mainstream. Exploring collective, historical, and personal themes, his works connect deeply to German history and literature, a..

Georg Baselitz: Exhibition view


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Sergi Aguilar - Revers \ AnversSergi Aguilar - Revers \ Anvers

27 July 2015

Sergi Aguilar - Revers \ Anvers

Exhibition, MACBA Barcelona, Spain, until 1 November

Sergi Aguilar questions some of the principal paradigms that have shaped the language of sculpture in the context of Spain from the early 1970s to the present. At the same time, his work minimises the role played by formalist interpretations. This uncomfortable stance with the historiographical narrative and its reading codes, with general genealogies and certain specific analyses, not only affects this Barcelona-born sculptor but a whole generation of artists whose work has evolved beyond the attributions that were once ascribed to them. The retrospective traces a sinuous path through Aguilar’s more than 40 years of practice.


Geoffrey Farmer: How Do I Fit This Ghost in My MouthGeoffrey Farmer: How Do I Fit This Ghost in My Mouth

26 July 2015

Geoffrey Farmer: How Do I Fit This Ghost in My Mouth

Exhibition, Vancouver Art Gallery, Vancouver, Canada, until 7 September

detail from the installation The Surgeon and the Photographer by Geoffrey Farmer; paper, textile, wood, metal; Collection of the Vancouver Art Gallery


EmpathiCity, by Shani HaEmpathiCity, by Shani Ha

25 July 2015

EmpathiCity, by Shani Ha

Public Art Interventions in Paris, New York, Bruxelles, Miami and Los Angeles

Paris-born, New York-based artist Shani Ha intervenes in different cities with the intention of making them more empathic. She does so by creating a sculptural layer of softness between the toughness of the city and the citizens who inhabit it. EmpathiCity provides a visual and interactive break, to make cities restful and welcoming. The EmpathiCity invasion functions as sculptural ephemeral graffiti that contributes to a more caring and positive appropriation of the urban landscape. Here, the artist has repurposed friends' sofas to extend their social life and bring a touch of 'home&#..

Photographs by Shani Ha, Marielle Pottier, Kevain Delpesche, Louise Devin.


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Isa Genzken: Basic Research PaintingsIsa Genzken: Basic Research Paintings

25 July 2015

Isa Genzken: Basic Research Paintings

Exhibition, ICA, London, UK, until 6 September

Since the early 1970s, Isa Genzken has developed an extraordinary practice tending toward a focus on large-scale sculptures, installations, and impressive wall mounted panels. Lesser known are her paintings. Having experimented with a variety of different materials and art forms, including assemblage and photography, film and video, Genzken also produced two prominent series of paintings spanning the late 1980s and early 90s, compelling in that they invite scrutiny from the micro to macro, revealing themselves as close-up impressions of urban architecture or aerial views of alien landscapes. Her approach to abstract painting is emboldened through a straightforward and direct approach that rarely strays from a range of dark hues.

Isa Genzken, Basic Research, 1989, oil on canvas, 90 x 75 cm. Courtesy the artist and Galerie Buchholz, Berlin/Cologne.


My Buenos AiresMy Buenos Aires

24 July 2015

My Buenos Aires

Exhibition, La maison rouge, Paris, France, until 20 September

My Buenos Aires runs counter to the romantic vision of Buenos Aires. Visitors are offered neither a portrait of the city or a who’s who of Argentinean artists, but rather a sensation, an experience of the dynamics at work in the Argentine capital. With works by more than 60 artists working in all media, from installation to painting, sculpture, video, and photography, four generations are represented. Established names join those yet to be discovered, more than 15 of whom have made installations in situ. This is an invitation to plunge into the mystery of Buenos Aires without attempting to resolve it, and to experience the unsettling strangeness of its multiple personalities.

Plaza de Mayo, Buenos Aires, 1996, by Marcos Lopez



23 July 2015


Art & Design Village, Jockey Club de São Paulo, São Paulo, Brazil, 12 - 16 August

For all those traveling to São Paulo, Brazil, next month: international fair MADE will again present a fine selection of collectible designs. MADE, which stands for Market, Art, Design, is a  platform for discussing, appreciating and buying the best design, from vintage to contemporary. Here’s a preview:


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GLOBALE: Transsolar + Tetsuo KondoGLOBALE: Transsolar + Tetsuo Kondo

23 July 2015

GLOBALE: Transsolar + Tetsuo Kondo

Exhibition, ZKM Atrium, Karlsruhe, Germany, until 27 September

A cloud inside the ZKM! As a prelude to the exhibition Exo-Evolution, Stuttgart-based Energietechnik Transsolar, together with Japanese architect Tetsuo Kondo, have produced an artificial cloud in the ZKM interior spaces. The project combines many years of experience in the sphere of climate engineering and architectural know-how: by applying cutting-edge technologies, not only is climate engineering made visible, but ways are also shown in which human beings will become capable in future of exercising greater influence on natural phenomena with increasing effectiveness.

Globale / Transsolar + Tetsuo Kondo: Pulled by the Roots, Die Stadt ist der Star, 2015, by Leandro Erlich; © Studio Leandro Erlich


How do you want to spend your life?How do you want to spend your life?

22 July 2015 by Veerle Devos

How do you want to spend your life?

Independent theatre calls for action upon facing closure

The name of the theatre group, Cão Solteiro, translates as Bachelor Dog, which, although it was just an absurd joke at the time, somehow makes sense in retrospect: “We worked so much over the last 18 years that we didn’t have time to flirt around.” The three leading ladies who run this independent theatre in Lisbon have an excellent feel for self-mockery. They maintain that atmosphere even though the Portuguese government has decided to cut their support to zero. DAMN° considers the story a relevant example of the global tendency, and dropped by to find out their s..

Leading ladies of Cão Solteiro: Mariana Sá Nogueira, Paula Sá Nogueira and Joana Dilão. Image by André Godinho.

caosolteiro.blogspot.pt cnb.pt/gca/?id=1186

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Stanley Whitney: Dance the OrangeStanley Whitney: Dance the Orange

22 July 2015

Stanley Whitney: Dance the Orange

Exhibition, Studio Museum, Harlem, New York, USA , until 25 October

Stanley Whitney is a Philadelphia painter whose intensely colour-based abstractions have won steadily mounting recognition since the mid-1990s. The exhibition features 29 paintings and works on paper created between 2008 and 2015, including the 2013 title work. Following time spent in Italy and then later in Egypt, Whitney developed the weighty, almost architectural approach that has now become his signature style. Rhythmic and lyrical, with a combination of pre-ordained structure and improvisation inspired in part by his love of jazz, the square-format paintings arrange rectangles of vivid, single colours in a deliberately irregular grid, with the close-fitting, many-hued ‘bricks’ or ‘tiles’ stacked vertically and arrayed in horizontal bands.

Stanley Whitney Dance the Orange, 2013 Oil on linen 48 × 48 in. Courtesy Frederick and Merle Fish Photo: Courtesy the artist and team (gallery, inc.), New York - See more at: http://www.studiomuseum.org/exhibition/stanley-whitney-dance-the-orange#sthash.4


Harmony and Transition: Reflecting Chinese LandscapesHarmony and Transition: Reflecting Chinese Landscapes

21 July 2015

Harmony and Transition: Reflecting Chinese Landscapes

Exhibition, Marta Herford, Herford, Germany, until 4 October

The shan-shui tradition of mountain-water painting has become increasingly important, as contemporary artists update the genre and transfer it to photography, sculpture, installation, video, and performance. It does not concentrate on reproducing a true image of a visible outer world, but reflects the inner experience of the painter. The opposite poles of mountain and water, solid and liquid, are subjected to a dynamic exchange, a symbol of the balance in the world. The invited artists reflect the tradition dedicated to harmony, and develop alien, pictorially powerful worlds of experience that extend beyond national borders and make nature the medium for individual systems of order and ideals, as well as for change and upheaval.

Xue Song: Getting a new Lease on Life 1, 2012, Sammlung Wemhöner


Photo-Poetics: An AnthologyPhoto-Poetics: An Anthology

20 July 2015

Photo-Poetics: An Anthology

Exhibition, KunstHalle Berlin, Germany, until 30 August

This group exhibition examines an important new trend in contemporary photography, offering an opportunity to define the concerns of a younger generation of artists and contextualise their work within the history of art and visual culture. Drawing on the legacy of Conceptualism, these artists pursue a largely studio-based approach to still-life photography that centres on the representation of objects, often in printed matter such as books, magazines, and record covers. The result is an image imbued with poetic and evocative personal significance – a sort of displaced self-portraiture – that resonates with larger cultural and historical meanings.

Moyra Davey: Les Goddesses, 2011 (detail) © Courtesy the artist and Murray Guy, New York


Invitation Au VoyageInvitation Au Voyage

19 July 2015 by Anna Sansom

Invitation Au Voyage

Exhibition, winners of the Prix Marcel Duchamp, Centrale for Contemporary Art, Brussels, Belgium, until 30 August

Fifteen years ago, a group of French collectors created the Marcel Duchamp Prize to help young artists. Each year, proposals by the four short-listed candidates are exhibited at the FIAC, France's international contemporary art fair at the Grand Palais in Paris. The winner is awarded €35,000 and a three-month-long solo show at the Centre Pompidou. To celebrate the 15th anniversary of the prize, an exhibition of 50 works by the 14 laureates is being held at the Centrale for Contemporary Art in Brussels. It has been curated by Alfred Pacquement, president of the Marcel Duchamp Prize and..

Prix Marcel Duchamp, sound installation by Saâdane Afif


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Spirit PhotographySpirit Photography

19 July 2015

Spirit Photography

Exhibition, Aspen Art Museum, Aspen, USA, until 1 November

Exploring the emergence of spirit photography as a cultural and historical phenomenon, the exhibition examines the photograph’s relationship to documentary and the pursuit of truth. Consisting of images produced between the 1860s and the late 1970s, Spirit Photography focuses on photographs of the occult and paranormal, presenting a survey of images that are eerie in their believability while also revealing early methods of photographic trickery.

The T'Zan Teleplasm, 1933, by T. Glendenning Hamilton; gelatin silver print


Leonor Antunes: I Stand Like A Mirror Before YouLeonor Antunes: I Stand Like A Mirror Before You

19 July 2015

Leonor Antunes: I Stand Like A Mirror Before You

Exhibition, New Museum, New York, USA, until 6 September

Leonor Antunes creates sculptures that reflect the environment surrounding them and refer to the work of figures from the history of 20th-century architecture and design. Antunes’s interest in craft and handwork is evident through her use of wood, bamboo, leather, brass, rope, and string; these materials often find form as vertical or horizontal demarcations in space or as woven transparent nets and grids. Working from measurements and proportions specific to the New Museum building, her new sculptures refer ..


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Heaven and Hell: From magic carpets to dronesHeaven and Hell: From magic carpets to drones

18 July 2015

Heaven and Hell: From magic carpets to drones

Exhibition, Villa Empain, Brussels, Belgium, until 6 September

The magic carpet has long been a symbolic way of travelling around the world. In Persian mythology, King Solomon had a magic carpet. The Queen of Sheba, who was said to be a magician, allegedly offered him this fabulous gift. It is even said that the king could transport his whole palace on it… This exhibition broaches the theme of flying machines and flying carpets according to a variety of artistic interpretations: the symbolism of ancient carpets and their inspiration: the geometry of gardens, the ancestral dream of being able to fly, flying objects, the world seen from above, the occupation of space by satellites, the worldwide expansion of drones and their consequences.

Image from the series Exit of Shirin & Farhad #12, 2012, by Babak Kazemi; C-print on dibond, 100 x 70 cm; courtesy of Silk Road Gallery, Téhéran


Wild NoiseWild Noise

18 July 2015

Wild Noise

Exhibition, Museo Nacional de Bellas Artes, Havana, Cuba, until 16 August

The Bronx Museum of the Arts and the Museo Nacional de Bellas Artes de La Habana have undertaken an unprecedented joint arts initiative that is the culmination of years of planning and collaboration. This is the most extensive visual arts exchange between the two countries in more than 50 years. The title – Wild Noise – is taken from a Victor Hugo poem, Ma vie est déjà dans l’ombre de la mort, referring to the sublimity and chaos of urban spaces, “the wild noise where infinity begins”. The theme resonates with this year’s Bienal de La Habana, which is being held at locations across the city, integrating itself into the urban fabric of Havana and its communities.

Daze, 1998, by Rigoberto Torres; sculpture: fibereglass and plaster with acrylic paint, 83.8 x 68.6 x 33 cm; gift of John Ahearn, 2008


Noémie Goudal : The Geometrical Determination of the SunriseNoémie Goudal : The Geometrical Determination of the Sunrise

17 July 2015

Noémie Goudal : The Geometrical Determination of the Sunrise

Exhibition, Foam, Amsterdam, Netherlands, until 23 August

As one of the great talents of a new generation of French photographers, in recent years Noémie Goudal has developed a distinctive visual language. By using a mixture of photographs, film, and installation, she examines the visual and spatial perception of two- and three-dimensional relationships within the image, combining layered photographs of serene, pure, mysterious landscapes with (elements of) modernistic architecture that have an archaic quality. The landscapes act as a kind of theatrical setting and are ..

Noémie Goudal: Observatoire VI, 2013-14, © Noémie Goudal


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AFRICA : Architecture, Culture And IdentityAFRICA : Architecture, Culture And Identity

17 July 2015

AFRICA : Architecture, Culture And Identity

Exhibition, Louisiana, Humlebæk, Denmark, until 25 October

With a comprehensive presentation of architecture projects, contemporary art, and cultural history, this exhibition tells a story of Africa on the rise, bringing multiple alternative narratives on contemporary culture and history from the African continent’s many regions. Like all of Louisiana’s shows, it is not just about construction and aesthetics, but also about the physical and mental spaces that form our social communities, which architecture also shapes, interprets and changes, affecting the life we live, the life that others live, and the life we could live. This forms the third chapter in the museum’s major series on Architecture, Culture and Identity.


Company news

Company news
Fritz Hansen invited 7 architects to redefine Arne Jacobsen’s Series 7 chair 
** read all about it in DAMnº51**