Magazine
Cover image #22
Tadao Ando at the opening of Punta della Dogana, Venice, in front of Rudolf Stingel’s Untitled (Alpino 1976), 2006
photo: Deidi von Schaewen
Camping Sauvage
Swiss photographer and World Press winner Jean Revillard has pictured a story that while disappearing from the headlines, continues to inflict abject daily inhumanities on those who have fled their homes and come to Calais in search of a better life on the other side of the English Channel. The human reality of immigration is forcing a return to nature that sees man dwelling like a wild animal, while rough capitalism and populist politicians set up camp in the safe embrace of fear.
Photo by Jean Revillard
Space Invaders
Making Worlds is the theme for the 53rd edition of Venice’s Art Biennial, which was curated by Daniel Birnbaum. With the art world in meltdown and the public nervously retreating, its context could have been subtitled ‘Return of the Real’. However, this was a far from depressing experience, with many of the artists and curators prompted to take their jobs seriously and engage not only with the exhibition spaces of Venice but with the audience.
‘The Collectors’, The Danish & Nordic Pavilions, 2009, photo: Siegrid Demyttenaere
Upside Down Under
Shaun Gladwell is back in Venice. Two years ago he came here to present his skateboarding piece Storm Sequence. During this Biennial’s edition the Sydney-based artist transformed the Australian Pavilion into a visual experience with his typical slowed-footage video of figures undertaking acts.
photo: Josh Raymond
Stains Of Time
Pollution is bad, no? Well, although Jorge Otero-Palios, who is Assistant Professor of Historic Preservation at Columbia University, is not advocating we all turn up the CO2, The Ethics of Dust: Doge’s Palace, Venice, is one of a series of installations that result from his preservation of pollution. Time-stain, patina, dirt & dust, here pollution assumes an ambiguous status between artwork and architectural preservation.
Urgent Forms
When natural disasters strike, the response goes way beyond shelter: roofs are not the only things that serve decimated communities. Architect Shigeru Ban will show his revised proposal for a temporary concert hall in L’Aquila at the beginning of July, yet alongside his driven sense of social responsibility, a series of projects that vary in scale demonstrate his desire to make ‘impossible things possible’.
Shigeru Ban and L-unit; photo: Romain Sellier
A Modern Saga
Iceland - a country in crisis? If so, someone hasn’t told its creative spirit. From tales that recall the sweat and tears of ancient sheep to projects that touched on design-farming and knitting fantasies made real, a new project from the Icelandic Design Centre made it past the ‘whistles in the graveyard’ in terms of content, but will it make those fish-skin wallets bulge?
Sruli Recht, creator of ‘non-products’, on his Ice Bear, made from 15 Icelandic sheep skins
Light In The Darkness
As part of the Reykjavik Arts Festival, Stray Beacons sees four Icelandic artists invited to exhibit in lighthouses that sit on remote corners of the island. From Curver Thoroddsen’s temporary pizza parlour, which offers puffin as a topping, to the Icelandic Love Corporation’s brass band opening, it’s an uplifting experience that explores the localised subtleties and singularities of the landscape.
Sliceland: The Westest Pizza in Europe, 2009 Curver Thoroddsen
Reclaiming The Future
The Berlin-based studio J. MAYER H. has recently celebrated 10 years of architecture, design and research. With a comprehensive publication of its work by Hatje Cantz Verlag and an alternative approach to a retrospective at San Francisco’s Museum of Modern Art, an array of projects, experiments and ephemera give an insight into a vision of the future that is not weighed down by the past.
J. MAYER H.; photo: Oliver Helbig
Wheels Of Fortune
When it comes to a journey that includes a passage in which what goes up must come down, the chukudus of Goma in the Democratic Republic of Congo are winners. These wooden ‘scooters’ look like they have been wheeled off the set of the Flintstones; onomatopoeia on the move with its environmental credentials more accidental than by design.
photo: Teun Voeten
Urban Gifts
Super Contemporary at London’s Design Museum is the institution’s first major show of commissioned works, and sees 15 design studios making ‘gifts’ to the city. In a climate of relative sobriety, the responses of participants such as BarberOsgerby, Neville Brody, El Ultimo Grito, Paul Smith, Wayne Hemingway, Thomas Heatherwick and Paul Cocksedge are tinged more with affection than barbs and irony.
photo: El Ultimo Grito
I Am The Virus
From oozing glass vases and bulbs that go bad, to exploring the individual signatures of crate making, Dutch designer Pieke Bergmans investigations of customisation and mass production are blown together in a series of experiments. Naming her studio Design Virus, Bergmans’ has an irregular obsession with coincidences and material qualities.
Light Blub, special edition; photo: Studio Design Virus
Are You Local?
One of the latest exhibitions at New York’s Cooper-Hewitt National Design Museum demonstrates that not only is ‘green not a style’, but that it can be sophisticated and not resort to ‘granola-crunchy’ cliché. Commissioning 10 international designers and teaming them with local economies and materials, the diverse results show that green design can look and act like the products we already know and covet.
Christien Meindertsma knits her wool rug; photo: Roel Van Tour
Hooters & Tooters
The Hupophone and the Sound Hoover are strange acoustic creatures whose sounds and forms come straight from the self-styled Viennese ‘Noise Master’, Hans Christian Tschiritsch. This travelling minstrel’s journeys have taken him from the caves of Granada to southern Siberia, with his inventive ambition concentrated on the sound experience rather than perfect instrument making.
Painting of Hans Tschiritsch; photo: KRAMAR
Future Tense
It’s a complex world and sometimes it feels like you can’t shout ‘stop’ even if you try. Japanese architect Sou Fujimoto experiences of both the wilds of nature and the city lead him to create a series of projects that give a free sense of order, with intuitively well-connected spaces that use layered subtlety rather than sledgehammer concepts.
Process image of Lexus L-finesse, © Sou Fujimoto
A Hairy Job
Opportunity in emergency, at this year’s Milan furniture fair a number of small design shops asserted themselves with presentations that damned any suggestions that the economy of ideas was running dry. Edging out a lot of the competition was the debut furniture collection from Paris-based Moustache, which features work from Matali Crasset, Big-Game and Inga SempŽ, and aims to fill the chasm between design-art and mass production.
photo: Les Arts Décoratifs, Paris. Tania & Vincent
Fertile Minds
Plaster and mirror, these were the two materials that the four laureates of Design Miami/Basel Designers of the Future had to play with. From Nacho Carbonell’s pendulous scrotal form Đ in his work Đ to Raw Edges’ Mount Domesticus, inspired by classic wall-sized alpine scenes from the 1970s, all produced monumentally themed installations.
photo: © Design Miami/Basel
Our Haus
From museum heavyweights to individual responses, the 90th anniversary of the founding of the Bauhaus is being celebrated in number of ways. German design duo osko+deichmann’s contribution to the party adds a new dimension to bent tubular steel - the symbol of modernity in furniture design - with the introduction of the kinked tube. The devil is in every detail...
Straw chair, photo: osko+deichmann


Breaking Glass?
Designhuis’ Glass exhibition at DMY International Design Festival Berlin was another of the event’s highlights. Featuring works by Pieke Bergmans, Jens Pfeifer, Maria Roosen and Design Academy Eindhoven alumni such as Hella Jongerius, the review has been overshadowed by news about Designhuis’ future.
Hella Jongerius’ Blizzard Bulbs; photo: Anna K.O. & Tobias Goetz
Zona Turkona
Watchers will have to wait until next year to see how Turkey swallows the contents of that capricious chalice, the European Capital of Culture. In the meantime its design scene warmed-up with the Istanbul Design Weekend.
Glass spermatozoids at the Keramitya workshop
Lamborghini Countach
In terms of supermodel cars that still manage to blend nostalgia with dreams of the future, the Lamborghini Countach maintains a special hold on petrol heads and those for whom driving is more than just a matter of getting from A to B. Martin Meier took the classic design out for a loving home run around the furniture circuit in Berlin.
Process image © Martin Meier
Productivity
Since the last issue of DAMnˇ it seems that everyone and their mother has been busy with some kind of design-related product, project, presentation or performance. From Milan to New York via Berlin and taking the third street on the left to Istanbul, this issue of Productivity features big names, lots of promise and welcome dashes of humoured inspiration.
Blow Away Vase by Front for Moooi
Agenda
Events, exhibitions and competitions. Even if you can’t visit in person, this selection of current and upcoming design, fashion, architecture and art shows, lets you know who is doing what, where and when.
Misconceivable by Erwin Wurm (Estuaire , Nantes <> Saint-Nazaire)
News
Showing and selling news from leading designers and international brands: B&B Italia continues the story of Gaetano Pesce’s Up series; Kvadrat opens its Bouroullec-designed Copenhagen showroom and office; Bisazza unveils its third US flagship store in Chicago; Flexform opens a new showroom in London during September; and Jamie Hayòn gets Together for Camper in Tokyo.
original UP series by B&B Italia
