DAMn° cover #25

AUGUST / SEPTEMBER 210

Michael Lin made this cover for DAMn° magazine #25

Photo: Michael Lin / Walter Bettens

Flower Power

MICHAEL LIN

Who is the ‘public’ in the public sphere? What role for art as entertainment in a society of spectacle? In answer to such questions artist Michael Lin’s work is not just about the rediscovery of the flower patterns of traditional Taiwanese fabrics, but about turning the ordinary into the extraordinary and an alternative, unfixed spectacular in the sanctioned public space.

Georgia Street Plaza, 2010, installation at Vancouver Art Gallery. © Photo: Michael Lin

The Final Whistle

WHAT NOW FOR SOUTH AFRICA’S STADIA?

So, the World Cup in South Africa is over, the winning goal, not to mention the vuvuzelas, dispensed to the memory box. But for the hosts the story is meant to have unlimited extra time and while the word ‘legacy’ is the proverbial poisoned chalice for any big sporting event, what kind of future can the stadia offer to its home supporters?

The circus arrives at the opening of the Mbombela FIFA World Cup Football Stadium in Nelspruit - whose future now looks uncertain. © Photo: Mike Bell

Viva Vuvuzuela

BLOW YOUR HORN

Since the football World Cup introduced the vuvuzela to 
the rest of the world, this 50cm has been tagged the scourge that drives even the most committed terrace-goer crazy with its unrelenting drone. Time out for a different take on the horn, as music educator Pedro Espi-Sanchis makes the case for music lovers to embrace vuvuzelas.

Music educator Pedro Espi-Sanchis with the Orchestra he takes with him on a world tour to teach people how to play the tuned vuvuzela. © Photo: Karl Simons

Out of Africa

PUMAVISION & MARK COETZEE

It might be a staggering and unpalatable to some that a global sports/lifestyle brand can have more impact that many NGOs or even government-funded initiatives, especially in the arts & cultural stakes. Yet, for PUMAVision’s take on corporate social responsibility, with its three-armed take on safety, peace and creativity, this is not about logo swapping and its ‘intelligent engagement’ traverses from literary festivals to redesign of packaging systems.

Eboue by Kehinde Wiley

More than Sandcastles

ON DESIGN AND ART IN THE MIDDLE EAST

You don’t have to dust off any archive to see Dubai’s quick zero-hero-alleged zero turnabout. But those with business class destination-deficiency syndrome do not dictate life and art, and as Mark Twain quipped ‘reports of my death have been greatly exaggerated’. Surveying the fortunes & development of the regional art and design scenes, one resident expatriate also profiles the work of ‘local’ artists Rokni & Ramin Haerizadeh and Hassan Sharif.

Jurgen Bey in local attire, climbing Fossil Rock; Droog al Arab team in the background. © Photo: Katrin Greiling

A Background Story

LIU BOLIN

Now you see him, now you don’t. While his first artistic life saw Tseng Kwong Chi as The Man Who Sticks Out, his second as Liu Bolin sees the Chinese visual artist make a career out of blending into the background. Instead of ‘Where’s Waldo?’ the question is ‘Where’s Liu?’ The answer is political commentary not just for China but also for a globalised society.

Graffiti II, Hide in the City - 84, 2009. © Photo: Liu Bolin / Galerie Paris-Beijing

Like Father Like Son

GIJS & ALDO BAKKER IN HYÈRES

At the opening of the 5th Design Parade in Hyères, Gijs Bakker – designer, teacher and co-founder of Droog Design – was confronted by an exhibition that showed an overview of the work of Aldo Bakker, his son. Here, the elder Bakker describes the emotions of the experience and why it now makes him smile if people ask him if he is in the same profession as his offspring.

Aldo and Gijs Bakker. © Photo: Walter Bettens

The Ghost of Black Dog

ERIK KESSELS

In his ‘In almost every picture’ series of books, Erik Kessels raids private collections of memories found in flea market boxes from across the world. Rewriting the stories they tell, this time around it’s the shooting of a little black dog that provides the plotline.

Bedroom Stories

JAMES MOLLISON

For photographer James Mollison his latest book Where Children Sleep became a vehicle to think about issues of poverty and wealth, about the relationship of children to personal possessions, and the power – of lack of it – to make decisions about their lives. Supported by Fabrica and Save the Children Italy, portraits of the world’s children and their ‘bedrooms’ show the universal love of pizza and the inequalities that shape lives in different ways.

Portrait of Roathy. © Photo: James Millison

All at Sea

BRUCE MUNRO

At first sight & sound the prospect of a CDSea sounds like a leak from a container on its recycling journey to destination ‘Unsure’. However, it’s actually one of the latest creations from artist and designer Bruce Munro, who makes the play of light and its translation into a physical presence in locations as diverse as the fields of Wiltshire to the London Zoo and New York’s Guggenheim Museum.

Bruce Munro dipping his toes in his ‘Sea’ made of CDs. © Photo: Mark Pickthal

Wish You Were Here

EXPO 2010 SHANGHAI

Going to a World Expo might not sound as appealing as going to a go-go, but whatever the causes and effects, the economic landscape of 2010 is not the same one that China had in mind when Shanghai first grabbed the prize of host. But what about the visitor’s day out? One engineer with a propensity for such experiences gives a personal account of the architecture & action.

© Photo: Michael Naert

On a Faraway Beach

THE FLIPSIDE OF FOOTWEAR

Life is not a beach for the afterlife of the ubiquitous flip-flop, especially when it becomes an ingredient of the toxic cocktail that is dumped in the world’s oceans. On one shoreline in Kenya, however, the beachcombing of local children has ignited the start of UniquEco, and its eco-consumer goods mean that what once belonged to a foot in Calcutta now adorns a neck in Seattle.

Selecting the flip-flop’s, © Photo: UniquEco

Sign, Stretch & Solve

INEKE HANS

MIND-SETS is the latest exhibition and book by designer Ineke Hans. Mixing personal items with those selected from three local museums in her Dutch base of Arnhem, Hans reinforces the belief that she is loaded with common sense, a designer’s soul and a sculptor’s heart and that her work is the result of mindsets that combine the skills of a technician, poet, anthropologist, problem solver, producer, philosopher and ultimately a ‘stretcher’.

© Photo:Walter Bettens

Wills & Ways

COLUMBIA BUILDING INTELLIGENCE PROJECT

Architects and the building industry – what a happy couple. With entrenched adversarial positions the two sides more than often complain that their ‘partner’ just doesn’t understand them. A new initiative by the Columbia Graduate School of Architecture, Planning & Preservation hopes to introduce some progressive relationship counselling and at the same put forward experimental ideas about ways of educating architects.

A system for water collection and a sloping green roofscape on top of deteriorating buildings by Yang Hua, © Image: Yang Hua.

In the Loop

OLEK & THE ART OF CROCHET

It’s been a long time since crochet was the preserve of grandmothers keeping up the supply of doilies. Like many craft-based skills, its techniques and forms have been reinvigorated and if you count cars and bikes as proof of the latest patterns, then the work of New York-based artist Olek is a good new-fashioned yarn.

© Photo: Olek