Master of Deconstruction

January 2011

German artist Tobias Rehberger calls himself a ‘catalyst’, making the creative input of others integral to his practice. Indeed his approach to his work is unusually angular. He makes no bones about actively including people, places and things in his production process or about crossing the boundaries between disciplines. This includes the unsolicited making of adverts for mega brands and posting them in the public space.
Obstinate Lighthouse, 2011, Miami by Tobias Rehberger. Courtesy: City of Miami Beach and neugerriemschneider, Berlin © Photo: Jennifer Rodriguez
This article appeared in DAM31. Order your personal copy.