Circus Empire by Kathryn Andrews
A large-scale installation of new sculptures and wallworks by Los Angeles-based artist
Andrews’ work explores histories of dominance and ways in which latent or normalized social power structures influence culture. Her sculptures and 2-D works often incorporate the images and artifacts of hegemonic cultural production, such as mass media, commercial products, advertising, the entertainment industry, as well as citations from canonical Western art history. Andrews employs the strategies of pop art and minimalism to interrogate these modes of production, in an effort to highlight how aesthetics, namely image presence and materiality, are used to influence perception and, in turn, consumption tendencies.
At the center of the exhibition, both occupying it and housing it, is a massive custom circus tent that obfuscates the gallery's historic architecture. 7,5 m in height, the tent blocks from the view the overwhelming verticality of the former church nave space. Seen from the outside, the tent is immediately recognizable as a trope of joy and exuberance, while inside, one finds an environment that is darker or at least more ambivalent.
Until 4 August 2019