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Untitled

Muller Van Severen and Emaillerie Belge

Mist

Kewlox and Julien Renault

This year’s harvest from Palazzo Litta - DAMN° Magazine

This year’s harvest from Palazzo Litta

Inspiring talks with makers who visited DAMN's event A Matter of Perception: Linking Minds during the recent Salone del Mobile

Photography as a dialogue - DAMN° Magazine

Photography as a dialogue

Laetitia Bica at the ‘Belgitude’ exhibition during Salone del Mobile 4-9 April.

´Welcome Home’ at ‘Belgitude’ in Palazzo Litta - DAMN° Magazine

´Welcome Home’ at ‘Belgitude’ in Palazzo Litta

Versatile design result of ‘Linking Minds’ Jean-François d’Or & Maison Vervloet

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DAMN° is an independent publication with open-minded views on the interchangeable worlds of design, architecture and art. In making meaningful connections rather than dictating tastes, its approach to storytelling brings editorial content beyond hype or conventional academic debate. Unafraid to link the personal and the political, the economic and the emotional, the stylistic and the social, DAMN° is ultimately about discoveries that aim to provoke a reaction…whether it be a thought or a smile.

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Dubbed the “first TikTok war” the current battle raging in Ukraine against Vladimir Putin’s reckless imperialism is taking advantage of user outrage.

As British art critic John Bergen so poignantly said, “Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.” And that’s just what we all want – TikTokers, magazine subscribers, TV addicts, artists, designers, and architects alike.

In the new issue of DAMNº – The Art of Protest – we side with those creatives whose work bites deep, with those who use their craft to protest, and specifically with those who reach out to the public directly as collaborators in that fight against iniquity. We have tried to extend the impact of cultural protest to emphasise those artists and designers who go beyond mere representation and dare to discuss real solutions.

And even if the medium of protest expands in the age of social media, it should be recognized that rough skills as well as cheap accessible materials have always been at the core of protest art – posters then, memes now, photography then, NFTs now.

The kernel usually starts emotional and even angry before the narrative cleans up and moves across the spectrum into polite society where eventually even galleries and collectors become enthusiastic.

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