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Keith Sonnier: Light Works - DAMN° Magazine

Keith Sonnier: Light Works

Exhibition, Musée d'Art Moderne et d'Art Contemporain (MAMAC), Nice, France, until 29 November 2015.

Where Neon Goes To Die - DAMN° Magazine

Where Neon Goes To Die

Yearning for Las Vegas It’s officially unofficial. Atom Age Modernism has found a niche in history. The neon signage that burgeoned in Las Vegas in the 1950s and came to […]

Daydreaming - DAMN° Magazine

Daydreaming

Daniel González’s Pop-ups A vivid scale model of a skyscraper city floating atop 90 plastic barrels and the glittery after-dark life of a crane dripping with vinyl, fabric, sequins and […]

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DAMN° is an independent publication with open-minded views on the interchangeable worlds of design, architecture and art. In making meaningful connections rather than dictating tastes, its approach to storytelling brings editorial content beyond hype or conventional academic debate. Unafraid to link the personal and the political, the economic and the emotional, the stylistic and the social, DAMN° is ultimately about discoveries that aim to provoke a reaction…whether it be a thought or a smile.

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Dubbed the “first TikTok war” the current battle raging in Ukraine against Vladimir Putin’s reckless imperialism is taking advantage of user outrage.

As British art critic John Bergen so poignantly said, “Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.” And that’s just what we all want – TikTokers, magazine subscribers, TV addicts, artists, designers, and architects alike.

In the new issue of DAMNº – The Art of Protest – we side with those creatives whose work bites deep, with those who use their craft to protest, and specifically with those who reach out to the public directly as collaborators in that fight against iniquity. We have tried to extend the impact of cultural protest to emphasise those artists and designers who go beyond mere representation and dare to discuss real solutions.

And even if the medium of protest expands in the age of social media, it should be recognized that rough skills as well as cheap accessible materials have always been at the core of protest art – posters then, memes now, photography then, NFTs now.

The kernel usually starts emotional and even angry before the narrative cleans up and moves across the spectrum into polite society where eventually even galleries and collectors become enthusiastic.

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