Van Gogh's Ear

Displayed as if in a high-end retail showroom, the work continues the idea of Marcel Duchamp’s readymades, which debuted a century ago and featured ordinary objects elevated to the level of high art by the choice of the artist. In contrast with these works, which were often only slightly modified, Elmgreen & Dragset have carefully designed and crafted each detail of Van Gogh’s Ear to mimic a garden pool. Re-positioned in a pedestrian plaza surrounded by the busy life of tourists, skyscrapers, and businesses, the pool stands out as a surreal object uprooted from its usual environment. The sculptural elements of the pool itself—from the curves created by the different depths and its overall shape, to the protruding diving board—become apparent when it is singularly presented vertically and above ground. Elmgreen & Dragset render the pool devoid of function via its displacement, and in turn, prompt a simultaneously more cerebral, poetic, and aesthetic approach to the actual object as well as its setting.

“The sculpture recalls the 1950s-style pools found in front of some Californian private homes, in contrast to this very public East coast urban setting. It is as if an alien spaceship had landed in the midst of this prominent and busy environment. One can dream of lazy days under the sun while surrounded by all the traffic and business going on at Rockefeller Plaza. The title Van Gogh’s Ear plays on the mythological versus the ordinary. We thought it was a perfect name for a swimming pool of this shape. It opens up the possibility for a different perception of the form itself. And like the myth of Van Gogh cutting off his ear in despair, the dislocated pool will hopefully make people wonder ‘why?’, and pursue their own reasoning behind this inexplicable scenario,” said Elmgreen & Dragset.